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Paul Smith – Diagrams Review

Diagrams is the fourth solo studio album from Maximo Park frontman Paul Smith. Kicking off…

Razorlight – Olympus Sleeping Review

After a ten year hiatus, indie-rock band Razorlight have returned to the charts with their…

Rafiki – BFI London Film Festival Review

Wanuri Kahiu’s thesis statement for Rafiki perfectly sums up the message of the film: “Feel all…

The Walking Dead Season 9, Episode 3 Review: ‘Warning Signs’

It’s never a good sign when I have to seek out Wikipedia and read an…

Stan & Ollie – BFI London Film Festival Review

Stan & Ollie depends on the strength of Steve Coogan and John C. Reilly. Recreating…

Benjamin – BFI London Film Festival Review

Simon Amstell, comedian and writer, created something of a buzz when his first foray into…

Doctor Who Series 11, Episode 3 Review: ‘Rosa’

If you were to ask me what truly made me a Doctor Who fan in the…

The Hate U Give – BFI London Film Festival Review

With regards to cinema, teenagers are exceptionally lucky with what is on offer today. Ladybird,…

A Private War – BFI London Film Festival Review

In 2002, Rosamund Pike starred as the femme fatale in Brosnan’s last James Bond movie,…

If Beale Street Could Talk – BFI London Film Festival Review

On the back of Moonlight, Barry Jenkins has become a must-see filmmaker. His follow-up film,…

The Flash Season 5, Episode 1 Review: ‘Nora’

The Flash starts its fifth season with ‘Nora’, its most ambitious episode yet. Which is saying…

Dublin Oldschool – BFI London Film Festival Review

After Trainspotting, there was an influx of drug-fuelled rave movies. In America, Doug Liman’s Go…