Jo Gudgeon

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Random Selfies: Brixton House’s Digital Lockdown – House to House

Brixton House is scheduled to open in Spring 2021 and is using lockdown to revisit…

Theatre Review: The Machine Stops on Zoom

Delving once again into online performance, Big Telly Theatre tackle the dark themes of E.M.…

Joan review: an audiodrama about activism, social media and the domestic burden of women

With theatres pushed into darkness for the foreseeable future, dramatists are looking for new platforms…

Theatre Review: Operation Elsewhere on Zoom

Here is a theatrical journey into a virtual world as Big Telly Theatre explore Irish…

Theatre Review: The Tempest – Live, Interactive and in your Living Room

Creation Theatre have moved their 2019 promenade performance of The Tempest from an industrial estate…

Theatre Review: Bin Juice at The Vaults

Very much a triple threat, three women sit down for a job interview related to…

Theatre Review: The Time Machine at The London Library

Creation Theatre return to the London Library, adapting H.G. Wells’ The Time Machine to deliver…

Theatre Review: V&V at The Vaults

A dynamic two hander exploring the relationship between Virginia Woolf and Vita Sackville-West, contrasted with…

Dance Review: Chyna at The Vaults

An energetic and enlightening dance by Chyna, a young deaf performer who has found a…

Theatre Review: Flights at the Omnibus Theatre, Clapham

Three lads gather themselves together in a scrubby clubhouse on the outskirts of Ennis. They…

Theatre Review: Tryst at the Chiswick Playhouse

Tryst is a compelling two hander that starts in Edwardian London with the charming con…

Theatre Review: Sticky Door at The Vaults

Katie Arnstein tells the story of her 2014 in Sticky Door, the final part of…