Very Festival 2022 Preview

The rainy season is tailing off and cool season is soon to arrive in Thailand,…

Single Review: Bury Tomorrow – Abandon Us

Line-up changes are often decisive. When I first heard that clean vocalist and guitarist Jason…

Live Music Review: Ministry of Sound Classical in Melbourne

It’s Saturday 9th April in Melbourne, the last days of summer and a sense of…

Live music review: Beyond The City: Melbourne

It’s been a hard couple of years with restrictions, social distancing and isolation. So what…

Live Music Review: CC:DISCO! at The Timber Yard

It’s a cold, grey and rainy Sunday in Melbourne in May. But what could be…

VISSIA – With Pleasure Review

With spring well on its way and lockdowns easing, VISSIA’s second full-length album, With Pleasure,…

AC/DC return with ‘Shot in the Dark’

‘AC/DC have not made the same album sixteen times’, goes the old joke. ‘They’ve made…

Single Review: Andrea – Fighting For

Andrea’s debut single, ‘Fighting For‘ addresses the anxieties of young adult life and is sure…

Spotlight on Matt Marcii and Robbie Hutton

Lockdown may have left most of us with hardly anything to show for ourselves, but…

Gregory Porter – All Rise Review

I have been immersing myself in Gregory Porter’s new album All Rise throughout the week. Contentedly and…

Our Man In The Field: A modern-day take on a vintage soundtrack

Armed with his guitar and a notebook, Our Man In The Field reports back heartfelt…

Mass House – Birmingham Review

Brummie duo Mass House release their new song ‘Birmingham’ – a socio-political commentary on life…